Cinematographer Pankaj Kumar shot large portions of the film during the actual monsoon seasons over several years. Utilizing minimal artificial lighting and heavy, overcast natural light, Kumar captured a wet, claustrophobic, and perpetually gloomy atmosphere that feels deeply immersive.
(played by Sohum Shah), who is obsessed with a mythical treasure tied to
His grandmother had whispered of a buried temple beneath the old banyan tree—a shrine to Hastar, the first-born of fortune, cursed by the goddess to hoard gold but never spend it. "His greed is his cage," she’d said. "But his coins are real."
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