A faster, more upbeat record that revisits the band’s hardcore punk roots and New Wave influences while maintaining their signature heaviness.

Peter Steele didn’t write songs for earbuds on a subway. He wrote them to fill a cold, dark room with a proper hi-fi system. to that room. Without it, you’re hearing Type O Negative through a cemetery gate’s keyhole. With it, you’re standing in the mausoleum, feeling the bass in your ribs.

Retains the natural echo and room decay recorded in the studio. Album-by-Album: What FLAC Reveals 1. Slow, Deep and Hard (1991)