Zero Chou offers a tender yet unvarnished look at queer relationships in Asia.

The narrative centers on the intersection of two women’s lives: Takeko, a stoic tattoo artist, and Jade, a webcam girl who lives in the digital glow of her room. Their connection is anchored by a specific image—the spider lily (Higanbana), a flower often associated with death and the afterlife in East Asian folklore. For Takeko, the spider lily tattoo on her arm is a heavy burden of grief, representing a past earthquake that claimed her father and left her brother mentally scarred. For Jade, the flower is a symbol of a childhood memory and a long-lost crush, leading her to Takeko’s parlor in search of the same ink. This dynamic transforms the act of tattooing from a simple aesthetic choice into a ritual of reclaiming a fractured identity.

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The narrative weaves between the present day and painful flashbacks of a devastating 1999 earthquake that upended the main characters' childhoods. Takeko (Isabella Leong)