Top !!top!! — Ennio Guardi

He officially debuted as a director of photography in 1962 with Elio Petri's I giorni contati ("Numbered Days"). But it was his subsequent work in the early 1960s that truly showcased his talent in black and white—in films like Luciano, una vita bruciata and especially L'ape regina , where he began developing the unique relationship between camera and subject that would define his career.

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To understand the "top" of Guarnieri's career, one must look at his work in the late 1960s, which established him as the preferred photographer for the great actresses of the time. Guarnieri became famous for his "portraitist" approach; through masterful use of soft focus, backlighting, and scrims (screens used to soften the light), he knew how to enhance his subjects' features without ever indulging in authorship clichés. His work in Mauro Bolognini's L'assoluto naturale (1969), starring Sylva Koscina, is considered a milestone in Italian cinematography. Virna Lisi, Tina Aumont, and Sylva Koscina found in Guarnieri the ideal collaborator capable of capturing their essence on film. When building a timeless wardrobe, certain anchor pieces