This is the version most veteran collectors are referring to. It was published during a Golden Era when the White Dwarf editorial style was transitioning from a "zany" homemade feel to a more professional and formal tone for the growing Warhammer worlds. It featured cover art by the iconic Wayne England. The issue is packed with material for the popular games of the time:
Before the game was officially renamed Epic, the Adeptus Titanicus rules were being expanded to include infantry units. This section provided comprehensive guidelines for using infantry in the titan-based game, bridging the scale gap between 28mm and 6mm, notes Lexicanum. 3. Morglum's Marauders and Lore This is the version most veteran collectors are referring to
White Dwarf 110 is a testament to the creativity of the Games Workshop team in the late 80s. It was a time when the company was experimenting, blending RPG mechanics with tabletop wargaming, and building the foundations of a massive lore structure. The focus on Eldar titans, Ogryn background, and varied game systems shows a willingness to explore all corners of the universes they created. The issue is packed with material for the
But among collectors, there is one number that sits in a golden shrine: . Morglum's Marauders and Lore White Dwarf 110 is
The cover of Issue 110 is iconic. It features a brooding, red-tinted artwork that immediately signals the tone of the magazine: grim, dark, and fantastical. This was a period where the magazine covers were less about flashy product placement and more about establishing an atmospheric mood, often blurring the line between hobby magazine and fantasy art portfolio.
The community has played a crucial role in digitizing and sharing content. Websites and forums dedicated to Warhammer and miniature wargaming often host scans of vintage White Dwarf issues. However, these scans can vary in quality, and their distribution may skirt the boundaries of copyright law.