- Close To The Edge -2013- -flac 24-192- ((link)) | Yes

: A dedicated Digital-to-Analog Converter that natively decodes 24-bit/192kHz audio is essential to translate the digital bits into pure analog sound.

The keyword is specific for a reason. You can find legitimate copies of this master on: Yes - Close To The Edge -2013- -FLAC 24-192-

This isn't just a "cleaner" version; it's a more spacious, immersive journey through prog-rock's greatest masterpiece. If your gear can handle the 24-bit/192kHz bitrate, this is the definitive way to listen. If your gear can handle the 24-bit/192kHz bitrate,

For audiophiles, progressive rock enthusiasts, and music historians, the release is an essential acquisition. It bridges the gap between 1970s analog warmth and modern digital precision. Listening to this file on a high-quality Digital-to-Analog Converter (DAC) and a good pair of headphones is the closest you can get to sitting in the control room at Advision Studios in 1972. Listening to this file on a high-quality Digital-to-Analog

The 2013 release of Close To The Edge is highly revered because it was overseen by renowned musician and remixing virtuoso (of Porcupine Tree fame). Wilson is celebrated for his deep reverence for original analog mixes.

More than fifty years after its release, Close to the Edge remains a masterwork of human imagination. Thanks to the 2013 Steven Wilson remaster and the unrestricted canvas of 24-bit/192kHz FLAC audio, listeners can finally hear the album exactly as Yes heard it in their minds when they created the blueprint for progressive rock. Share public link