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The use of the term "Perang Sampit" in the query situates the request within a specific nationalist and historical framework. However, the modifiers "full" and "no sensor" transform the historical event into a spectacle. This aligns with the concept of the "society of the spectacle" (Debord, 1967), where historical trauma is commodified into consumable media. The user is not searching for analysis or reconciliation; they are searching for the visual proof of brutality, driven by a morbid curiosity that seeks to verify the extremities of human capability.

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